Thursday, November 28, 2013

Making Photogravures with Polymer Plates

The book is ready!



photogravure instruction book


$11.99  Introductory price.

available through Amazon


ISBN-13: 978-0615919218

ISBN-10: 0615919219 


Learn photogravure with this step-by-step instruction book. It has over 250 images and 140 pages of explanations that reveal what is needed to use steel reinforced, photo sensitive polymer, to create stunning intaglio plates.  

Applicable for experts and beginners alike, individuals with small home-made darkrooms or large universities, the methods shown will open the possibilities of intaglio image making without the need for acids, high v.o.c. solvents, fine rosin dust, or petrochemical asphaltum. The aquatint and image are made with film positives and UV light. The plates are etched with water. Both traditional oil based inks and modern "safe" etching inks can be used to make the final print.   

Photogravure is a photo-mechanical process in which etching ink is pushed into the recesses of a fine matrix ("aquatint") of a printing plate. Excess ink is wiped from the surface by hand. Damp cotton paper is run through an etching press with the inked plate, where it picks up the image. The resulting print is one of the most archivally stable ways of photographic reproduction known.   

Included inside the book is a unique method for visually creating adjusted digital transparencies. The technique can easily be adopted for the creation of digital negatives for any of the "alternative" photographic processes that are seeing a resurgence in recent years.   

Practitioners of polymer photogravure are not limited to just photographs. The same plates make beautiful etchings and reproductions of hand drawn images. Many artists use hybrid drawing and photographic methods to create intricate and beautiful work with the polymer plates. 






Tuesday, June 26, 2012

Grand Canyon Gravure project



http://kck.st/LwzeJr
The goal is to collect the materials to get this project finished.
It is at it's half way point and I want to keep the momentum going!
Thanks to people who have let me borrow equipment this summer,
allowed me to find work space,
and encouraged me to keep going I think that the finish line is in sight.

Watch the video.

Click the links.

Share share share to anyone who might be interested!

(there are some really good deals for those who choose to be a part of finishing this project)




Friday, May 25, 2012

International Photography Annual #1

a book by the folks at Manifest Gallery in Cincinnati, OH,
will have some of my work in it.

I'll post details closer to the publishing date.
The planned release date is some time late September - early October
so it can coincide with FotoFocus.

Wednesday, April 25, 2012

Still Point Arts Quarterly

and Still Point Gallery

Three of my pieces are currently in the online gallery for Still Point IV.
Out of that online show, several artists' work (including mine) will appear in the summer edition of Still Point Arts Quarterly, which is an artist-centered publication, on very nice paper, that includes poetry and prose in addition to visual arts.

Tuesday, April 24, 2012

Sketchbook Tour starts in Brooklyn



http://www.arthousecoop.com/submissions/58512-kawanhee-boathouse-chair
My sketchbook is catalogue number 156.19-1

at the Brooklyn Art Library

and will continue on across N. America,
so check the schedule and mark your calendars

May 3-5 in Chicago, IL at
Hyde Park Art Center

May 11-13 in Portland, OR at
The Cleaners at the Ace Hotel

May 15-16 in Vancouver, Canada at
W2 Media Cafe

May 24-26 in Los Angeles, CA at
iam8bit

June 2-23 in San Francisco, CA at
Pop-Up Shop

July 6-8 near Boston, MA at
LynnArts

July 11-14 in Portland, Maine at
SPACE Gallery

July 18-22 in Toronto, Canada at
The Gladstone Hotel

Aug 23-25 in Philadelphia, PA at
The Painted Bride

Aug 29 - Sept 1 in Atlanta at
MASS Collective

Sept 8-16 in Austin, TX at
Co-Lab Project Space

Monday, April 23, 2012

Elves Chasm (looking out)



Finished the sepia edition (10) from this photogravure plate.
The sky in this picture is a very close portrayal of the typical sky from the trip last year. Overcast much of the time, but when clear the wind kicked up. This all made for some very flat light. Taking pictures within a tight canyon was good, but as soon as I turned the camera lens skyward, the meter did all sorts of crazy things. I had to rely on what I had learned about light meters, exposure, aperture a very long time ago.

Here is a link to a very cool 360 panoramic view of Elves Chasm that someone else made.