Thursday, April 26, 2012
Wednesday, April 25, 2012
Still Point Arts Quarterly
and Still Point Gallery
Three of my pieces are currently in the online gallery for Still Point IV.
Out of that online show, several artists' work (including mine) will appear in the summer edition of Still Point Arts Quarterly, which is an artist-centered publication, on very nice paper, that includes poetry and prose in addition to visual arts.
Three of my pieces are currently in the online gallery for Still Point IV.
Out of that online show, several artists' work (including mine) will appear in the summer edition of Still Point Arts Quarterly, which is an artist-centered publication, on very nice paper, that includes poetry and prose in addition to visual arts.
Tuesday, April 24, 2012
Sketchbook Tour starts in Brooklyn
http://www.arthousecoop.com/submissions/58512-kawanhee-boathouse-chair
My sketchbook is catalogue number 156.19-1
at the Brooklyn Art Library
and will continue on across N. America,
so check the schedule and mark your calendars
May 3-5 in Chicago, IL at
Hyde Park Art Center
May 11-13 in Portland, OR at
The Cleaners at the Ace Hotel
May 15-16 in Vancouver, Canada at
W2 Media Cafe
May 24-26 in Los Angeles, CA at
iam8bit
June 2-23 in San Francisco, CA at
Pop-Up Shop
July 6-8 near Boston, MA at
LynnArts
July 11-14 in Portland, Maine at
SPACE Gallery
July 18-22 in Toronto, Canada at
The Gladstone Hotel
Aug 23-25 in Philadelphia, PA at
The Painted Bride
Aug 29 - Sept 1 in Atlanta at
MASS Collective
Sept 8-16 in Austin, TX at
Co-Lab Project Space
Monday, April 23, 2012
Elves Chasm (looking out)
Finished the sepia edition (10) from this photogravure plate.
The sky in this picture is a very close portrayal of the typical sky from the trip last year. Overcast much of the time, but when clear the wind kicked up. This all made for some very flat light. Taking pictures within a tight canyon was good, but as soon as I turned the camera lens skyward, the meter did all sorts of crazy things. I had to rely on what I had learned about light meters, exposure, aperture a very long time ago.
Here is a link to a very cool 360 panoramic view of Elves Chasm that someone else made.
Labels:
alternative,
Grand Canyon,
photography,
photogravure
Sunday, April 22, 2012
Elves Chams (looking in)
I just ran the sepia edition from this photogravure plate.
10 prints in the edition with 1 artist's proof and 1 printer's proof.
Geology of Elve's Chasm
Labels:
alternative,
Grand Canyon,
photography,
photogravure
Saturday, April 21, 2012
Deer Creek
Another test print with blue/black ink from a new plate for photogravure.
http://www.zionnational-park.com/map-deer-creek
Labels:
alternative,
canyon,
grand,
photography,
photogravure
Friday, April 20, 2012
Tequila Beach
Testing the photogravure plate I just made for this image, using blue black ink on white paper. It looks good, but I think that the edition will use a warmer ink color.
(please excuse the limited range of the cell phone camera used to take the photo of this test print)
http://grandcanyonhistory.clas.asu.edu/sites_coloradorivercorridor_lavafalls.html
Labels:
alternative,
canyon,
grand,
photography,
photogravure
Thursday, April 19, 2012
Photoworks Gallery
"Alternative Visions"
at Glen Echo Park in MD
April 13 - May 7
Opening Reception April 22 from 5 - 7:30 pm
Artists/Gallery Talk from 6 - 6:30 pm
If you are in the DC area be sure to stop by to see the show.
click here for invitation
You've had the chance to preview some of these images on the web,
but there is much more to see in person.
The internet cannot represent all of the subtle work in each piece.
They need to be seen in person to be fully appreciated.
"Camp 118.6"
"Havasu 2"
(first public showing of this piece)
at Glen Echo Park in MD
April 13 - May 7
Opening Reception April 22 from 5 - 7:30 pm
Artists/Gallery Talk from 6 - 6:30 pm
If you are in the DC area be sure to stop by to see the show.
click here for invitation
You've had the chance to preview some of these images on the web,
but there is much more to see in person.
The internet cannot represent all of the subtle work in each piece.
They need to be seen in person to be fully appreciated.
"Camp 118.6"
"Havasu 2"
(first public showing of this piece)
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